The Girl Next Door (2004)
I have many problems with this movie, many of which can be traced back to the stupidity of the main characters.
• Why would Matthew (Emile Hirsch) seriously consider dating Danielle (Elisha Cuthbert)? She's a porn star. That's beyond used goods; that's battered, damaged goods that needs to get tested every six weeks. Seriously, Matty. This is a bad, bad idea.
• Danielle's age is never given, but she's clearly young. Cuthbert was only 21 when the movie was released, and the character of Danielle can be said to be the same age. At one point, Danielle's manager, Kelly (Timothy Olyphant), says to Matthew: "I just think you'd want someone more your age." Matthew responds, "She is my age," to which Kelly replies, "Yeah, I meant ... experience-wise." So Danielle is between 18 and 21, and already a full-fledged porn star. Again, Matthew, this is a bad area.
• The fact that Danielle is at most 21 and already well-established in the skin business makes me think she got into it when she was under 18. And even if she waited until she turned legal to start having sex on film, which is doubtful, what's so appealing to Matthew about a girl his own age who works in porn? No girl grows up wanting to be a porn star, Matthew.
• Why is Danielle a porn star? What made her turn to such a profession?
• The film opens with Danielle moving in next door to Matthew because she's running from Kelly. Why is she running? Did something bad happen to make her normal porn-star existence even worse?
• Matthew and his buddies make a safe-sex instruction video starring adult film actresses, April and Ferrari (why anyone would think it would be cool to get it on with someone named after a car is a whole other therapy session). The girls address the camera and talk about the pressure some teens feel to lose their virginity at their senior prom. Ferrari says she lost hers at prom, and then asks April when it happened for her, and April's response is, "When I was 10." And Ferrari plays it for a joke by waiting a beat and moving on. How is that funny? How is that anything other than really, really disturbing? Thinking about it for longer than a second leads you down a dark path of reasoning, leading to even more unsettling questions: What happened to that girl? How did she end up here?
Really, it goes on and on. The film wants to come across as the new generation's answer to Risky Business, which came across even lighter than writer-director Paul Brickman had intended, since studio meddling made the film end rosier than the original tale of Reagan-era excess was meant to have. But at least that film had some kind of cautionary message, however blurred, hidden inside. The Girl Next Door tries to play like a mix of Brickman's film and American Pie, some straight-ahead sex romp with an edge. But instead it's just really depressing.
Verdict: If you're a high school guy, try and catch it on cable. But then go take a good long look in the mirror.
|
|
||||
|
The Photo
the info
Los Angeles, California I'm a twentysomething white male with ambitions to be a professional film critic and generally spend my days getting paid to watch movies and write about it. I try not to think too hard about how I want to build my life around talking about other people's creations and not mine. A compulsive reader and stubborn cineaste, I take an often contrary stance to my more fundamentalist peers and upbringing by celebrating the pursuit of the good, and the Good, in life, love, art and film. If you watched enough episodes of a few TV shows ("The Hungry and the Hunted," "The Cut Man Cometh," "The Body," "Waiting in the Wings," "Out of Gas," "April is the Cruelest Month," "20 Hours in America," "Colonial Day" for starters), you would understand me completely, and you'd also realize that much of my worldview and philosophical insights are heavily influenced by fictional works/programs, and many of the good things I've said in my life are just a regurgitation of someone else's imaginings. I guess I was made to be a film critic. This Month
Login
the counter
the ratings
Search
the library
The Words
the shots
www.flickr.com
This is a Flickr badge showing public photos from dan_carlson. Make your own badge here.
the politics
The Alumni
The Clock
|
Thursday, May 4
by
Dan Carlson
on Thu 04 May 2006 12:13 AM PDT
|
the post
the quotes
"The critic is the only independent source of information. The rest is advertising." "Film lovers are sick people." "I hope I strike a blow for chubby bald men everywhere. I hope they rise like an army." "Let others praise ancient times, I am glad I was born in these." the humor
the screens
Pajiba
HSX IMDb MovieWeb Box Office Mojo Dark Horizons BFI RT New York Magazine Cinema Treasures Metaphilm Onion A.V. Club Film Comment Criterion Empire Drew's Script-O-Rama MCN Greatest Films Second Spin AFI The Hollywood Reporter Metacritic Defamer Dave Poland Dave Kehr AllMovie Movie City Indie Austin Movie Blog The Screengrab GreenCine Daily FirstShowing Fimoculous Chicago Reader: On Film Sunset Gun Bordwell and Thompson the tube
The Plugs
The Sis
The Oldest Guy I Know Creatum This Guy Borrowed My Dave Shirt Historian Emeritus Never Met This Guy Tucker Tucker Mother [Uh-Oh] Steve Holt Peter-Wecker Man vs. Clown! Susan the Canadian Halbey RozieD J. Scott Kendall-Ball Geoff Klock Bells On A Special Way of Being Afraid Down in Texas One More Curious Mile Jennifer, Who's From Weatherford, And Now Lives In Virginia They Call The Wind Jehiah Bad Movie Club Girish That Little Round-Headed Boy Tom The Dog's You Know What I Like? Hoyden's Kibitzing Brady Lane My Best Friend's Girl Mimi in NY No More Marriages! My Experiments Miles To Go ... litelysalted Recent Entries
Month Archive
the wisdom
Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, a stone, a leaf, an unfound door. Where? When?
O lost, and by the wind grieved, ghost, come back again. — Look Homeward, Angel, Thomas Wolfe Conservatives are not necessarily stupid, but most stupid people are conservatives. — John Stuart Mill We are all under the same mental calamity; we have all forgotten our names. We have all forgotten what we really are. All that we call common sense and rationality and practicality and positivism only means that for certain dead levels of our life we forget that we have forgotten. All that we call spirit and art and ecstasy only means that for one awful instant we remember that we forget. — G.K. Chesterton We were, for the briefest of moments, something greater than the sum of our uncertain parts; we were youth itself, in all its painful glory and sharp joy. — August Van Zorn There is a time in the lives of most writers when they are vulnerable, when the vivid dreams and ambitions of childhood seem to pale in the harsh sunlight of what we call the real world. In short, there's a time when things can go either way. — Stephen King Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town. — Ask the Dust, John Fante |
||








