• I like the trailer for The Fountain, Darren Aronofsky's upcoming film. Aronofsky actually turned the story into a graphic novel when he knew the entire tale wouldn't fit in one film. Writer-director Richard Kelly is taking a similar approach to Southland Tales; the film will technically be the final three installments of a six-part story, with the first three parts being released as graphic novels.
• The Washington Post has canned Ben Domenech, a conservative blooger and generally unstable little guy who plagiarized in his writings. Granted, his calling Coretta Scott King a Communist maybe wasn't the best way to ensure a long-term career with WaPo. The idiot's blog didn't make it a week. Good riddance.
• It's almost too good to be true, that the Fox News jokes everyone's been making turn out to be so sadly accurate. Omitted from the rider: the crushed-up bones of unwed mothers, which Cheney alternately snorts like coke or gobbles up like Pixy Stix.
• The fact that someone took the time to put this timeline together is both awe-inspirinrg and more than a little sad, since they actually went to the effort to include Alien vs. Predator. It's an interesting idea, to try and create some fictional chart wherein many, if not all, movies co-exist, but the repeated phrase "Predators arrive for their ritual feasting on xenomorphs" pretty much ruins the whole thing.
• I'm looking forward to this.
• Although Bogdanovich's tone occasionally veers into bitter old man area, making him sound like a grizzled prospector railing against the onslaught of horseless carriages, and his wobbly thesis is all but obliterated by the straight-out-of-left-field closing line, he still makes some good points about the necessity of viewing films on a large screen.
• Go ahead. Test yourself. And also here. And, of course, here.
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Los Angeles, California I'm a twentysomething white male with ambitions to be a professional film critic and generally spend my days getting paid to watch movies and write about it. I try not to think too hard about how I want to build my life around talking about other people's creations and not mine. A compulsive reader and stubborn cineaste, I take an often contrary stance to my more fundamentalist peers and upbringing by celebrating the pursuit of the good, and the Good, in life, love, art and film. If you watched enough episodes of a few TV shows ("The Hungry and the Hunted," "The Cut Man Cometh," "The Body," "Waiting in the Wings," "Out of Gas," "April is the Cruelest Month," "20 Hours in America," "Colonial Day" for starters), you would understand me completely, and you'd also realize that much of my worldview and philosophical insights are heavily influenced by fictional works/programs, and many of the good things I've said in my life are just a regurgitation of someone else's imaginings. I guess I was made to be a film critic. This Month
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Sunday, March 26
Sunday Clip Show
by
Dan Carlson
on Sun 26 Mar 2006 06:09 PM PST
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"The critic is the only independent source of information. The rest is advertising." "Film lovers are sick people." "I hope I strike a blow for chubby bald men everywhere. I hope they rise like an army." "Let others praise ancient times, I am glad I was born in these." current reading
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Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, a stone, a leaf, an unfound door. Where? When?
O lost, and by the wind grieved, ghost, come back again. — Look Homeward, Angel, Thomas Wolfe Conservatives are not necessarily stupid, but most stupid people are conservatives. — John Stuart Mill We are all under the same mental calamity; we have all forgotten our names. We have all forgotten what we really are. All that we call common sense and rationality and practicality and positivism only means that for certain dead levels of our life we forget that we have forgotten. All that we call spirit and art and ecstasy only means that for one awful instant we remember that we forget. — G.K. Chesterton We were, for the briefest of moments, something greater than the sum of our uncertain parts; we were youth itself, in all its painful glory and sharp joy. — August Van Zorn There is a time in the lives of most writers when they are vulnerable, when the vivid dreams and ambitions of childhood seem to pale in the harsh sunlight of what we call the real world. In short, there's a time when things can go either way. — Stephen King Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town. — Ask the Dust, John Fante |
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