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Dan Carlson
Los Angeles, California

I'm a twentysomething white male with ambitions to be a professional film critic and generally spend my days getting paid to watch movies and write about it. I try not to think too hard about how I want to build my life around talking about other people's creations and not mine. A compulsive reader and stubborn cineaste, I take an often contrary stance to my more fundamentalist peers and upbringing by celebrating the pursuit of the good, and the Good, in life, love, art and film. If you watched enough episodes of a few TV shows ("The Hungry and the Hunted," "The Cut Man Cometh," "The Body," "Waiting in the Wings," "Out of Gas," "April is the Cruelest Month," "20 Hours in America," "Colonial Day" for starters), you would understand me completely, and you'd also realize that much of my worldview and philosophical insights are heavily influenced by fictional works/programs, and many of the good things I've said in my life are just a regurgitation of someone else's imaginings. I guess I was made to be a film critic.
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The Clock
View Article  Blame It On The Moonlight, Blame It On Plate Tectonics
Got to get a quick plug in for Rhett Miller's latest, "The Believer." If you don't own it, you should, and if you do own it, you should tell people about it. And whether you do or you don't, you should click here and check it out. Jon Brion plays on several tracks, and so does Gary Louris. What more do you need to know?

View Article  I Know What "Exacerbate" Means
Movies always come in trends, and for some reason, pairs of movies dealing with the same topic seem to keep cropping up. Let's do a rundown:

Prefontaine (1997) vs. Without Limits (1998)
Hard to pick a winner here. They're both about Steve Prefontaine, but no one cares about running, so let's move on.

Volcano (1997) vs. Dante's Peak (1997)
Linda Hamilton and Pierce Brosnan ran around in a bunch of ash in Dante's Peak, which was gray and uneventful, though Grandma did get boiled in the lake, which was pretty cool. But Volcano had lava pouring through the heart of L.A., and there's nothing better than watching a river of fire slide past the place you get bagels.
Winner: Volcano.

Armageddon (1998) vs. Deep Impact (1998)
Almost too easy. Elijah Wood comes of age while a meteor heads to earth, compared to the Aerosmith-ballad-wielding, animal-crackers-on-the-stomach crapfest that had simple-minded girls everywhere bawling over Ben Affleck.
Winner: Deep Impact. (It barely wins, though, since it was directed by Mimi Leder, who also brought us Pay It Forward, who for doing so should be beaten and chastised.)

Now, the main event: Capote (2005) vs. Infamous (2006)
I feel bad for Douglas McGrath. An actor, writer, and director, McGrath is currently helming Infamous, formerly titled Every Word Is True, which Warner Indepent Pictures has slated for a fall 2006 release. The film follows Truman Capote as he researches the lives of two murderers in Kansas for his upcoming "In Cold Blood." This should sound familiar to you all. I feel bad because his film entered production at roughly the same period as Bennett Miller's Capote, but there's now no way his film can carve out its own identity. Despite its all-star cast, it will only ever be known as the movie that isn't Capote. Worse, it's the movie that came after Capote. And worst of all, while Philip Seymour Hoffman transformed himself for the film and gave an amazing performance, Toby Jones just looks creepy:



That photo scares the crap out of me. I see it in my nightmares. Also, I'm not buying Gwyneth Paltrow as Peggy Lee and Sandra Bullock as Harper Lee. Sandra Bullock was never talented, just popular, and it's a shame that too many people saw Crash and thought it meant something and that, consequently, its cast deserved newfound recognition. Shame on you.
Winner: Capote, hands down.

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the quotes

"The critic is the only independent source of information. The rest is advertising."
— Pauline Kael


"Film lovers are sick people."
— Francois Truffaut


"I hope I strike a blow for chubby bald men everywhere. I hope they rise like an army."
Paul Giamatti, quoted in the Los Angeles Times, 12/14/04


"Let others praise ancient times, I am glad I was born in these."
— Ovid

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the wisdom
Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, a stone, a leaf, an unfound door. Where? When?

O lost, and by the wind grieved, ghost, come back again.
— Look Homeward, Angel, Thomas Wolfe


Conservatives are not necessarily stupid, but most stupid people are conservatives.
— John Stuart Mill


We are all under the same mental calamity; we have all forgotten our names. We have all forgotten what we really are. All that we call common sense and rationality and practicality and positivism only means that for certain dead levels of our life we forget that we have forgotten. All that we call spirit and art and ecstasy only means that for one awful instant we remember that we forget.
— G.K. Chesterton


We were, for the briefest of moments, something greater than the sum of our uncertain parts; we were youth itself, in all its painful glory and sharp joy.
— August Van Zorn


There is a time in the lives of most writers when they are vulnerable, when the vivid dreams and ambitions of childhood seem to pale in the harsh sunlight of what we call the real world. In short, there's a time when things can go either way.
— Stephen King



Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town.
Ask the Dust, John Fante